Foucault often spoke of critique in vague terms. A truth that “functions as a weapon,” on the one hand, but which can “light fires, watch the grass grow, listen to the wind, and catch the sea foam in the breeze and scatter it,” on the other. Statements like these appear to us as riddles. But what is critique for Foucault, really? One fascinating answer to this question can be found in his short piece, “What is Enlightenment?”
Now, I confess, when I was in graduate school I used to think this was one of the toughest bits of Foucault reading out there. I suppose I still do. Where I really struggle is later in the piece, when he gets into the opposition between two ideal types, the man of the modern world and the flâneur. Here, he paraphrases Baudelaire’s description of the flâneur as one who adopts “the spectator’s posture.” It seems to me that the flâneur is kind of a drop out, or somehow self-involved – a cynical figure who refuses to engage with the world around him. Either way, against this passive figure (which Foucault does not praise), the modern man has an active stance in the world. His being in the world somehow changes it, but not fundamentally. Foucault observes that the modern man’s attitude towards the world, and himself, involves both ambition and acceptance of certain limits to that ambition. That is, it “does not entail an annulling of reality, but a difficult interplay between the truth of what is real and the exercise of freedom.” In this sense, modern man is he who strives to take what is natural in the world, including his own self, and make it somehow more than it was. And the emblematic figure of the modern subject here is the dandy, the ultimate entrepreneur of himself, who is compelled constantly to “invent himself” in relation to those limits. Perfect, or at least moving towards some sort of optimal state.
Just a brief note to let you know the book I co-edited with Iver Neumann, Battlestar Galactica & International Relations, is now available. You can buy it on Amazon in hardback and Kindle formats here. A cheaper, paperback version of the book will be coming later this year. This project has been over two years in the making, and started with a random encounter at the bar at an ISA convention in New York. As the convention was taking place, the cast and crew of the show were addressing the United Nations, just up the road, on the plight of child soldiers! We were pretty blown away by the idea that such an encounter was even possible. And we got talking… well, what WAS “BSG’s” politicalmessage, anyway? At the following year’s ISA in New Orleans, we held a panel wherein we discussed some ideas about the show and noticed that, well, some IR folk were *serious* fans of the show:
Of interest, a new issue of Tidal (No. 4) is coming out on Friday. From the Facebook page:
Tidal 4 is being released this Friday evening. At this event, you can pick up your own free copy of Tidal 4. It will include original, commissioned contributions from many organizers of Occupy Wall Street, Occupy Sandy and Strike Debt, such as Shyam Khanna, Pamela Brown, Sofia Gallisa, Ann Larson, Nastaran Mohit, Harrison Magee, among others, as well as known thinkers such as Michael Hardt, Silvia Federici, George Caffentzis, John Holloway, and Chantal Mouffe. Collective pieces from Tidal Team and friends (Nick Mirzoeff, Andrew Ross, Nicole Hala, Nathan Schneider, among others) and a Student Movement piece from Free University folks. At this beautiful event, we welcome you to great conversation and presentations by many of the contributors and friends.